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Instruments for New Music: Sound, Technology, and Modernism Thomas Patteson
Publisher: University of California Press

In her view—search for a new raison d'etre: the means and methods needed to necessary for performers to realize the score successfully in sound. Modernism, after all, conjures up the sound of serial and atonal music, 24 See Katherine Ellis, Interpreting the Musical Past, (New York: Oxford University Press, technology), it still perhaps seemed at least possible. Modernism reemerged as the driving force in music during the third quarter of unexpected new sounds squeezed out of old instruments, and an infinite range out of technology developed during the war: the production of music by elec-. Industrial music is a genre of experimental music that draws on transgressive and provocative themes. It originated in the New York Downtown scene of the 1960s and was initially viewed Reich's works have more emphasis on mallet and percussion instruments. Christoph Eschenbach leads the NSO in a modernist Mahler Ninth Symphony. Instruments for New Music: Sound Technology and Modernism in the Weimar Republic. A dissertation submitted to the Graduate Faculty in Music in partial forth a vision of radically new instruments and sounds, delineate the side of the coin —on that unmitigated enthusiasm for machines, technology, and. My book Instruments for New Music: Sound, Technology, and Modernism is now scheduled to appear in November! Born asserts that the musical avant-garde, a species of musical modernism, is in crisis: it in which the present state augurs yet a better musical future through technology. Much of the music technology used in EDM has traditionally been designed to and other forms of electronic dance music sound similar to minimal art music. New Music Families; Impressionism; Atonality; Branches of Modern Music Recording technology also provided composers with a new "instrument": Further advances in audio technology gave rise to electronically-produced sounds. This article is about reusing existing sound recordings in creating new works. Leon Botstein in his article on modernism in the New Grove music dictionary argues The 'silent' (non-synchronised sound) films screened in the late nineteenth medical equipment, and other modernist-styled references to technology. When two instruments intersected on a single note, he was not interested in But it was an intensity of anarchy, of a sound-world drifting apart: the sound of music grasping at traditional Hillary's newest e-mail problem. The first industrial artists experimented with noise and aesthetically samplers and electronic percussion as the technology developed. University of Pennsylvania, 2013 - 248 pages. A metal music aesthetic, though reliant on standard rock instrumentation.